Leonard Cohen - Old Ideas

 

 

Artist: Leonard Cohen

Album: Old Ideas

Label: Columbia

Release date: 31st January 2012

Rating: 4.5 / 5

 

    Speaking to himself in the first cut made me chuckle a bit; "I love to speak with Leonard/He's a sportsman and a shepherd/he's a lazy bastard/in a suit"  A frail cut with not much life beyond that lyric, stripped to the bone musically, however, haunting backing vocals make every second worth it.  Almost like Tom Waits on quaaludes, (my description for new listeners to Mr. Cohen), the second track burrows its way into my brain.  Accompanied by those same haunting voices, an archilaud, a violin and a cornet, his lyrics dance and turn into my brain- a slave to his tongue twisting. "Amen" is a great tune, really capturing his songwriting and arrangements.  At 78 years young and perhaps one of the greatest songwriters the past five decades have seen, he certainly doesn't disappoint.  His usual topics of love and loss and lust and rage and betrayal and depression are ever present.  With assistance from many talented musicians, these songs are just more and more fun with each listen.  This is a great album for those who have loved Leonard in the past and for new listeners looking for impeccably written songs.  A lot of people look for new artists, new styles and new things to emulate, copy or harness, but sometimes, all you need is a few fantastic old ideas.

   

Ruthie Foster - Let It Burn

Artist: Ruthie Foster

Album: Let It Burn

Label: Blue Corn

Release date: 31st January 2012

Rating: 3.5 / 5

    An anticipated release by this reviewer, I was hoping for more, but this album still is very far from disappointing.  The first cut opens with huge voices, pulling me in- the Blind Boys of Alabama with their signature sound underneath Ruthie's amazing voice and the killer pedal steel of Dave Easley.  The variables in this equation are far from formulaic and thus, a stellar blues record has been born.  I love the big Hammond B3 all over this record, seldom heard these days, but my ears enjoyed being enveloped by its warm, rich sound.  Ruthie's powerful voice is almost too much for the music at times, the accompanying musicians kick it up a notch to keep up.  She does multiple cover tunes on this, her 7th record, (plus a handful of originals), and she pulls parts from many of the different tributaries of the huge musical river.  On the Black Keys' "Everlasting Light" she adds her own take to the already phenomenal tune, slowing it down a tad, stripping away the grit and adding a feminine perspective.  Other covers from the likes of June Carter, Pete Seeger and David Crosby also get twists and turns added to them, almost completely making them her own.  (The sax on Seeger's "If I Had a Hammer" is simply delicious!)  A more contemporary blues record, filled with Gospel and slowed-down jams, Ruthie swings really hard and just about knocks it out of the park, but not quite.